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Workshop led by Refik Anadol and .dotdoclab.
.dotdoclab, 3d, installation
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For fun, I revisited this project to create a new identity for the American Composers Orchestra and its member programs.
graphic design, identity
The following images were created by using software that selects and randomizes elements of the face. For these images, I wanted to experiment with similar shapes that we weren't accustomed to associating with the face. What resulted were cartoon-style images that liked to multiply.
.dotdoclab, processing
I was fortunate to work with Refik Anadol, Sebastain Neitch, Johannes Schmidt, Kerim Karaoglu and Efe Mert Kaya in creating the opening mapping piece for ARS Electronica's Maintenance, Repair and Operations' Frozen Music in Linz, Austria.
animation, ars electronica, installation
The following paper focuses on Glitch as a platform for technological creativity. It is part of a research outcome, which includes a documentary, Glitch — Everything and Nothing, co-produced with Simon Emberton.
documentary arts, writing
This project looks to reposition a mall as a beacon of activity for a city center and attract visitors from afar with a limited site-line.
.dotdoclab, ars futurelab, installation
processing
IMAL, Brussels hosted The Artvertiser, a workshop led by Damian Stewart and Julian Oliver. The aim of the The Artvertiser, is to replace street ads with art using their custom Billboard Intercept Units. I used Processing to create my project, Pixiliate, a composition of pixels whose colors are derived from the ad. Unfortunately, I was unable to see the result of the process due to a few demonstrations and heightened police activity.
Animations soon to follow…
imal, processing
A selection of stills from various processing experiments.
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